life.in.motion




Posts Tagged ‘Movies’

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Money Issue Extra:
Hilary Swank on Amelia


Academy Award-winner Hilary Swank will soon be taking to the skies as the world’s most famous aviatrix in Amelia (to be released on October 23). Directed by Mira Nair (Monsoon Wedding,Vanity Fair) and co-starring Richard Gere and Ewan McGreg, the film tells the story of Amelia Earhart’s boundary-busting life – and her mysterious disappearance – during the golden age of aviation.

Swank chats about the challenges of playing an icon, the responsibilities involved in bringing the lives of real people to the big screen, and the opportunities that fame can bring, after the jump.

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Idol chatter: Edgar Allen Poe


The work of Edgar Allen Poe, who died on this date in 1849 under what can only be called aptly mysterious circumstances, has never had trouble being adapted for TV and movies. Going by this IMDB list, there’s been at least one Poe-related film or show made almost every years since 1908. That’s a whole lot of Tell-Tale Heart Crew jackets.

Though there was a recent movie made about Poe’s bizarre final days, however, there has not yet been a full-on biopic.

Well, look who is seeking to rectify that situation:

As for the Poe pic, Stallone wants to get it done, and done right. He’s conscious of the demands of such a role, and he recognizes that, passion project or not, this might not be the vehicle for him to headline. “Of course, I’m not playing Poe,” he told Empire. “‘Yo, Poe!’ It won’t work! It’ll be some young actor because he dies at 39, but it’s gonna happen.”

“Yo, Poe!” heh heh heh… he’s still got it.


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Interview: Jack Black and Michael Cera on Year One


Directed by Harold Ramis (Caddyshack, Groundhog Day) and co-produced by laugh-meister Judd Apatow (Superbad, Knocked Up), the absurd Year One stars comedy veteran Jack Black (Nacho Libre, Tropic Thunder) and young funnyman Michael Cera (Juno, Superbad) as an offbeat pair of cavemen — exiled into the wilderness of the ancient world by their fellow tribesman — who soon find themselves on a journey of biblical proportions as they travel through the early days of mankind. Earl Dittman chats with Cera and Black after the jump. (Plus: this week in home video.)

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Free Roman Polanski?


“You know what happens to diminutive film directors who sleep with 13-year-old girls, don’t you? Huh? Wanna know? No? Okay. They lose their noses get arrested in Switzerland!”

Well, eventually. Roman Polanski pleaded guilty to having sex with a minor 32 years ago, but took off for France before he could be put in jail. He’s been keeping out of the U.S. ever since, though he kept on making movies and visiting various European countries, and it looked like that was going to go on forever until he was nabbed in Zurich last week. They are holding him there, awaiting an extradition request from the U.S.

Now a group of artists and filmmakers, including Woody Allen, Pedro Almodovar, Wes Anderson, Asia Argento, Darren Aronofsky, Harmony Korinne, and Wim Wenders have signed a petition calling for his release. A number of film and cultural organizations have signed on, as well.

Others have been vocal in their support of the 76-year-old Polanski, as well. His teenage victim, now 45, who successfully sued the director, has called for the charges to be dropped.

Not everyone is donning a “Free Roman” button just yet, though.

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John Krasinski on Away We Go


According to John Krasinski, one of the stars of television’s The Office (Season Six began airing last week), he’s been looking for the “perfect” motion picture role to do during his short hiatuses between seasons of The Office ever since the Americanized version of Ricky Gervais’ British comedy sensation hit North American airwaves. Although he has snagged lead roles in such films as the George Clooney-directed Leatherheads and License To Wed (with Robin Williams), both ended-up box office and artistic disappointments.

“I’m always looking for a film that will challenge me as an actor,” Krasinski insisted a few years ago. “I’m always waiting for that role that will blow me away and make me push myself as an actor.” Krasinski would find what he was looking for when Oscar-winning director Sam Mendes (American Beauty) phoned him with an offer to star in the comedy Away We Go. Thinking the offer was a ruse, courtesy of his pal George Clooney, Krasinski almost passed on the part. “I’m so glad it wasn’t one of George’s pranks,” he admits, “because it’s one of the best gifts I’ve ever been giving as an actor in a movie. It’s one of those great one-of-a-lifetime parts.” (Krasinksi’s interview plus this week in home video, after the jump.)

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Interview: Seth Rogen on
Observe & Report


Known for his performances in such contemporary comedy classics as Knocked Up and Pineapple Express, Vancouver-born comedian/actor Seth Rogen goes for the funny bone in Observe & Report, but the laughs are uncomfortable ones in this black comedy. With Rogen says he tackled one of his most demanding roles of his career in Observe & Report, and came up on the right side of the law — chalking up another hit to list on his already impressive cinematic résumé.

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Interview: Hugh Jackman on
X-Men Origins: Wolverine


Australian superstar Hugh Jackman returned to his X-Men roots as the iconic character of Wolverine/Logan for X-Men Origins: Wolverine. After the jump, Jackman (who also produced X-Men Origins) explains why he wanted more action in film than in the last X-Men picture, how he thought Wolverine had become a bit of a softie, and talks about the film’s love story and why the music of Godsmack is important in turning beastly. (Plus, this week in home video, all after the jump.)

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Who was Patrick Swayze?


Patrick Swayze finally succumbed to pancreatic cancer yesterday at the age of 57. Reading some of the obits and tributes posted on the various news sites, it becomes clear that Swayze was the kind of actor/performer who really only existed on film. He had no political dimension, and, until he went public about his illness, no real personal one, either.

From CBC.ca:

“Patrick Swayze passed away peacefully today with family at his side after facing the challenges of his illness for the last 20 months,” said a statement released Monday evening in Los Angeles by his publicist, Annett Wolf. No other details were given.

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Interview: Rumer Willis on Sorority Row


Loosely based on the 1983 horror cult classic The House On Sorority Row, the Stewart Hendler-directed Sorority Row — starring a cast of Hollywood beauties including The Hills’ Audriana Patridge, Step Up 2 star Briana Evigan, Jamie Chung (Dragonball), Leah Piper (Terminator: The Sarah Connor Chronicles) and The House Bunny costar Rumer Willis, daughter of Bruce Willis and Demi Moore — has a pitch-black sense of humor that could slay a new generation of  horror fans.

After a seemingly harmless prank goes horribly wrong in Sorority Row and the frat sisters all agree to cover up the bloody death of one of their own, it’s not long before the girls of the Theta Pi fraternity house are gruesomely slaughtered, one-by-one. Willis claims that when it comes to contemporary big screen fright-fests, Sorority Row’s tongue-in-cheek approach to slasher/thriller-killer films elevates it into a class all its own. “What makes it so unique is that while someone is dying, someone else is making a joke about it,” Willis says. “So you’re still kind of freaked out from seeing someone die, but at the same time you start laughing at it … The intensity of the scenes get intermingled, so you never really know what you’re going to get.”

SORORITY ROW

Raised far away from the bright lights of Hollywood on her family’s ranch in Idaho, Willis confesses she always felt the urge to follow in her parent’s footsteps. After small roles in Demi’s Striptease and Bruce’s Hostage, she landed a costarring role in last year’s comedy The House Bunny, which directly lead to her co-leading lady role in Sorority Row. “I don’t care how big my name is on the marquee, I just want be in films that are fun and that I can learn from — and Sorority Row fits the bill,” she admits. “It’s really scary but it also very witty.” And what do her celebrity parents think about the darkly comic thriller? “They haven’t seen it yet, but I’m sure they’ll like it, they love everything you do,” Willis explains. “Honestly, the opinion I’ll be looking is from my little sister, Tallulah, who is 15. She’s the most opinionated and brutally honest of the bunch, so if she hates it, she’ll be like ‘Ru, it was terrible, why did you do it?’ But, if she likes it, then I know it’s a good movie.”

Since you are the film’s official screamer, how long did you have to practice until you got your scream perfect?

“Honestly, not much. Do you know what? It just kind of came up one day in rehearsal. We were there in the first week and we were really starting to get into the rehearsals of that first huge scene and I just sort of screamed and then I looked at everyone and I was like ‘Oooh, hey this works okay. Woah!’”

Did your voice get hoarse?

“We were shooting nights for about three weeks and after we shot the very beginning scene, we shot that for probably like two weeks and after every night I sounded a little bit like Kathleen Turner. I didn’t mind it, mind you, but you have to be careful because you if do it too hard you’ll have no voice. You won’t be able to talk.”

Didn’t all the girls have to scream at your auditions?

“Yeah, and it was always a little bit embarrassing when you come out of the room and everyone was like, ‘Oh, that was you?’ You’re like, ‘I’m sorry.’ People are staring at me.”

Were you worried about how sexy the film was going to go?

“No, not me. There’s definitely nakedness. It’s just not me.”

What’s more fun — the funny scenes, the sexy scenes or the scary scenes?

“I like all of it. I don’t know. When I did The House Bunny, I kind of realized how much harder comedy is. You don’t think comedy is that hard. People kind of just seem to come off it so quickly. Comedic timing is hard. I mean, all of the girls, though, the timing is so quick, and fortunately I’m stressing throughout the whole movie, I just have to act like I’m having a mental breakdown. It kind of ends up being funny on accident.”

Do you think the deaths in Sorority Row are pretty gruesome?

“Yeah, they’re pretty gory and brutal. But, they’re not brutal like Hostel, where faces get ripped off. That’s a little too much for me. At one point, I got nauseous for, like, two seconds. I just froze it looked so real. When you’re reading it in the script and then you actually see it with the noise and the sound you’re just like, ‘Ooh. I don’t know about that… Okay. Alright. I’m going to keep watching.’”

How did you react while watching the film?

“It’s really good, right? Girls kicking ass! You rarely see a horror film, especially where it’s the girls are taking charge and it’s not just the men going, ‘Alright, you stay here, I’ll be back with an axe and take care of it.’”

Do you have a favourite horror film?

“I like Alien. I don’t know, movies for me that get too… like, I don’t like bugs crawling under the skin — that really creeps me out. Do you know what I just saw? It scared the crap out of me but I don’t know if I loved it, it was Haunting In Connecticut.”

What are you working on now?

“I’m working on 90210 right now, doing a recurring guest star, so that’s really good. As of right now, I’m going to be doing my third one right after this, so I don’t know how long I’ll be on it.”

Sorority Row director, Stewart Hendler, says he was amazed that given that your parents [Bruce Willis and Demi Moore] and stepdad [Ashton Kutcher] are big celebrities, you didn’t come on the sense with a sense of entitlement. How do you stay so down-to-earth?

“Honestly, I feel it’d be so exhausting to do that, to just not be kind to people. When you’re on a set just because you’re in front of the screen doesn’t make you the most important person or mean that you should be treated any differently. Everybody else there is doing something just as important as you and without them what you’re doing isn’t possible.”

Did you mom and dad stress it as well or did you learn by example?

“I think, yeah, just more watching by example. Also, I didn’t grow up in LA, I grew up in Idaho, so I wasn’t really around that kind of thing…thank God.” [Laughs]


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Interview: Joshua Jackson
on Fringe


Canadian-born television and film veteran Joshua Jackson (Dawson’s Creek, The Skulls) has been entering homes weekly this past TV season as the star of the soon-to-return sci-fi hit Fringe.

In this chat, Jackson recalls the heatwave that hit his hometown of Vancouver during the Fringe filming season, jokes about having to attend DeVry University to make heads or tells of the fringe science unveiled on the show,  and explains why characters Peter Bishop and Olivia Dunham are nothing like Fox Mulder and Dana Scully on The X-Files — a classic series to which Fringe has been compared to. Plus: this week on home video, all after the jump.

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